| Abstract |
Contemporary space design has based on the framework of academic standards on a number of scientific propositions in order to find out correlation of human and environment and closely examine approaches of a normative design. However, the contents are enormous and introductory, and have limitation of application to practical business affairs, so that we will have to understand them as a thinking to explain the design with. Therefore this study is an experimental research making use of concrete design approaches applicable to the area of space design and cinematic construction as a medium. The purpose and significance of it lies in examining its validity and contributing to the future development of space design.
Accordingly this study conducted the research through a literature survey for the understanding of space perception in the cinema, deduced the language of design concept according to it, examined the basic unit of cinematic construction, then analyzed the cases of practical architectural spaces.
The findings of this study indicate that human's perception to space and the cinema is deduced as a common conceptual language characterized by the ideas of articulation, scenery, and timeness. These concepts are very organic and interdependent and can probably become a means for human to appropriately analyze an behavior attribute type of investigating environment with. Also in composing space, the basic units of cinematic construction can be as instrument to be easily applied to practical affairs as they are correlated with the function of space and a constituent language to be reasonably designed. |