Title |
The Complex Relationships on the Late Kim, Swoo-Geun’s Architecture |
Authors |
Kang Yun-Sik ; Lee Dong-Eon |
Keywords |
creativity ; the anxiety of influence ; defense mechanism ; rhetoric ; creative misreading ; Anti-thetical Criticism |
Abstract |
Ephebe, in other words, a new architect who just debuts makes the revisionary stages against his precursors, in consciousness or unconsciousness. It is the main argument of Harold Bloom’s “the Theory of Influence”. Every new architect, as the belated, establishes his own world by this way. The strong architect who constantly pursues his originality makes his final identification through the three distinctive revisionary dialectic stages consist of the six revisionary ratios, and he completes his ‘original’ works as a synthesis of the all other works of his precursors. According to the theory, the late Kim, Soo-Geun’s architecture is the creative synthesis of the Tange Kenzo, the Yoshimura Junzo, and the Korean architectural traditions. |