| Title |
Limitations of Site-Specificity in Minimal Art: Focusing on Donald Judd's works |
| DOI |
https://doi.org/10.5659/JAIK_PD.2019.35.2.93 |
| Keywords |
Minimal Art ; Site-Specific Art ; Perception of 'Now Here' ; Perception Occupying Duration ; Self-Sufficient Algorithm ; Negation of Semantic Production |
| Abstract |
Minimal art, which began to flourish in the mid-1960s, explores perceptual situations caused by the involvement of objects in given site contexts. This has led to the mentions of minimal art as a site-specific art, but its limitations have also been pointed out. This study specifically addresses the limitations of minimal art as a site-specific art with two perceptual points of view. First, according to Michael Fried, situations described as 'now here' focus largely on the bodily experiences of a place. However, they do not rooted in specific time and space of a certain place. Second, the unique characteristics of a certain place are excluded from the perception of the body which occupies the passage of time. Self-sufficient algorithm, which is far from site-specific conditions, is the autonomous system creating the period in the way of arrangement of objects. In addition, Minimal art regards a body only as the objectivity excluding the subjectivity which is essential creating meaning in a place. In the latter part of the article, these features are dealt with through Donald Judd's works. This study on site-specificity also provides a new perspective on the discussion of Minimal architecture and Minimal landscape. |