| Title |
Unraveling the Architectural Significance and Traits of Bongeunsa Temple's Panjeon |
| DOI |
https://doi.org/10.5659/JAIK.2023.39.11.129 |
| Keywords |
Bongeunsa Temple; Panjeon; Chung-ryang; Hab-bo; Architecture of the Sutra; Chimgye Min-yeol |
| Abstract |
The Panjeon or Scripture Hall at Bongeunsa Temple in Gangnam is renowned for Chusa Kim Jeong-hee's calligraphy, yet its architectural
aspects have received limited attention. However, the Bongeunsa Panjeon represents an architectural feat shaped by the deep thought and
effort of its designer. To begin, Bongeunsa Panjeon serves a dual purpose, safeguarding Hwaeomgyeong scriptures and hosting rituals. It's
also a rare structure revealing the identity of its architect. This architect, Chimgye Minyeol, was a former monk who worked as a craftsman
for nearly 40 years in the late 19th century. Bongeunsa Panjeon marked his first venture as a temple builder. Chimgye Minyeol ingeniously
used chung-ryang or transverse beams to merge the two functions while ensuring structural stability. Typically, chung-ryang were employed to
reinforce lateral forces in roof designs like paljak-jibung or gable-and hipped roof and ujingak-jibung or hipped roof. Furthermore, the two
hab-bos or coupled beams at the back of the Panjeon, supporting the gable roof, are combined in their arrangement. This hints at the
possibility of reusing components from other structures. Instead of entirely constructing new elements, Bongeunsa Panjeon likely extended
existing buildings or recycled architectural materials from elsewhere. This inclination to reuse materials and components is a familiar practice
in palace architecture as well. Bongeunsa Panjeon skillfully addresses the architectural challenges of the early 19th century, establishing it as
a valuable architectural achievement. |