Title |
Dogmatic Interpretation on the Buddhist Architecture of Choseon-Dynasty |
Abstract |
The objective of this study is to interpret the architectural organization of the Buddhist temples built between the seventeenth and the nineteenth centuries, in the view point of the system of belief of the time and the inherent dogma of Buddhism. Major buildings of worship are organized into the three hierarchical mandalas, i.e.the upper, the middle, and the lower ones, each representing, respectively, the mandala of Buddha, the mandala of Buddhisatta, and the mandala of the Heaven and gods. Thus the halls of Sakyamuni, the halls of Arahans, and the halls of Hades are constructed accordingly. The halls of Sakyamuni, belonging to the highest order of mandala, are organized in the vicinity of the main worship hall, and represent the space for the Buddhist 'Trinity' of Buddha-Sutra-Monks. The interior space of buildings of worship is again differentiated in accordance with the dogmatic principles of Sutras, to provide setting for the variety of activities of worship. And the physical magnitude of the buildings is basically determined by the numbers of statues, altars, and the size of paintings. |